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© LACEY MCKINNEY

Website by OtherPeoplesPixels

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Reconfiguration 83, cyanotype collage, 2024. This work explores themes of gestation, bodily autonomy, and reproductive rights through the merging of skeletal and botanical forms. Using alternative photographic processes, the piece visualizes the entanglement between human reproduction and the more-than-human world, questioning hierarchies of care and control over bodies. Installation view from m(othering), Duke Hall Gallery of Fine Art, James Madison University, Harrisonburg, Virginia, 2025.

Three hybrid human-animal figures crouch together in earthy pinks and greens, their bodies merging with fur and indeterminate forms, suggesting transformation and interspecies kinship.

Painting studio

© LACEY MCKINNEY

Website by OtherPeoplesPixels